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CREATIVE MOVEMENT LESSON PLAN

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Blog

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Today we've got a really fun creative movement lesson plan for your students which will help young dancers work on visual focus, musicality, locomotor and non locomotor movement, social interaction, picking up choreography, spatial awareness and more. As per usual, use this lesson plan as a guideline and feel free to put your own spin on it to suit your dancers. This is a template to get you started and I've had great success in getting little ones engaged and focused with this one! Have fun and good luck with, "Top Hat!"

Jess-

MATERIALS

.One imaginatively decorated top hat created by teacher and students in the beginning of the year. This will be the class’ special and magic top hat! It can be as regal or silly and wacky as the students’ imagination and crafts supply allows!

.Plastic Top Hat

.Crafts for Top Hat

.Suggested Music: Top Hat, White Tie and Tails or Puttin on the Ritz from the movie Top Hat (or any lively musical theater selection)

LEARNING OUT COMES

.Visual focus

.Musicality

.Picking up and executing choreography

.Aesthetic development

.Locomotor and non locomotor movements

.Creating choreography

.Social interaction and cooperation

.Leadership skills

.Spatial awareness

SET UP

Children begin in a circle sitting with the teacher

INTRODUCTION

The teacher walks over to the group wearing the class’ special top hat and explains to the students that the person wearing this hat at any point in time is the master of ceremonies at our party. They are also the creator of all movement! The rest of the class must watch, follow and copy the movements. The teacher should then demonstrate in the center of the fishbowl and see if the kids can perform the activity! This should be followed with another demonstration by a volunteer or student who is being particularly well behaved. The chosen student gives an example of a movement he/she might choose. Now, students and teacher follow along. (Integration of music at this point is up to teacher discretion or they may opt to wait until class commences actual activity as a group.) The teacher should make comments here with positive feedback supporting excellent ideas, nice choreographic risk taking, interesting levels, etc.

EXPLORATION

Once the basic directions seem clear to students, the teacher should go on to explain that music will be accompanying the group. When the class hears the music stop, they ALL must freeze in a shape and the master of ceremonies must pass along the hat to their next chosen leader by placing it on their head. (*Teacher should give students guidelines that for each class 4 or 5 leaders will be chosen for the day.  A list of names of those who have had a turn should be kept on a large piece of paper on the wall.  Students can then see who needs to play leader in the coming weeks! Remind students that everyone will get a chance to be leader)

Encourage top hat leaders to give movement that contains levels, dynamics, direction changes, varying efforts, use of space, etc. (Teacher may opt to give a quick demo) Remind them that all movement is creative and to take chances! There are no wrong answers! The teacher who will also play DJ may opt to let the leaders come up with one or two movements to be followed before stopping the music and change of leader occurs. Teacher should comment on interesting and wonderful things they are seeing and reinforce safety practices while urging students to use the entire space of the room. Teacher should also check in on whether appropriate movement is being given and/or if leader gets stuck and needs a little prompting!

DEVELOPMENT

The teacher announces to everyone to now find a space in the room and take a frozen shape. The teacher can either keep the volunteer from the fishbowl demo to be the first leader or can walk around the room and choose another well behaved student by placing the hat on their head.   The teacher should remind the leader that when they hear the music begin they can start their dance whenever THEY choose. When the music STOPS, all dancers are to freeze and the leader must pass the hat and resume following the new leader with the remaining students once the music begins again.   During exercise, teacher should be giving feedback and positive encouragement as well.

CONCLUSIONS

 Announce when the class is on their last leader for the day. When the activity is nearing a close, direct students to gradually slow down, find a space in the room and find their own ending shape to freeze in until the music fades out.  After the exercise is over, the teacher can ask the students to verbalize things they observed, liked, etc. during the exercise!

ADAPTATIONS

.Each week 4 or 5 students get the chance to be leaders. (Names of those who have gotten a turn should be written on a large piece of paper on the wall so students are aware of who is up for a turn and who has gone already.)

.As students become more advanced, remove the stopping of the music and have hat transfer occur as part of continuous, integrated choreography now taking place when the leader wants to pass it on.

Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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