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WHY BUILDING UP A DANCER'S SELF-ESTEEM IS SO IMPORTANT

Type:

Blog

Category:

Dance Teachers

There are times when we are in the studio teaching and progress seems to be at a halt, our dancers’ focus is lacking, the passion and spirit we want to see is dwindling and the frustration of it all can start to take a toll.

What we sometimes forget when in the midst of all this, is that while it sometimes becomes habit to critique and make corrections because it’s part of our job, pausing to remind students what they are doing right vs. what they are doing not so right can go a long way.

We are not only dance teachers but mentors who are there to inspire and motivate. But, we are also human and when we are faced with lack of commitment or progress or desire day after day, it’s easy to get off track. Now, while we are not there to be miracle workers, the notion to pause and recognize a dancer for something they did really well in class can go further than you think. Sometimes it takes that one comment to ignite their own self-motivation and confidence.

Our dancers are also children and adolescents. This puts a whole new spin on where their psyche is. Sometimes what we are feeling and thinking as teachers is nowhere in the realm of what they are feeling and thinking. Putting yourself back in their shoes to assess what may be going on just may be the trick to devise a game plan. In turn, this can provide the patience you need to come out the other side. Feedback is associated with attention and the more you give to a student, the more you both become invested in the progress.

You would be surprised how much of an effect that one moment of pulling over a student privately at the end of class to tell them how impressed you were with how they worked in class that day, or how polished they looked for ballet or how beautiful that extension they worked through in center was. This especially will go even further for the dancers that perhaps are not the most technically inclined, are not always in the front and think you may not really be noticing them in class. That acknowledgment can set a fire-storm of positivity and self-esteem to make them want to work harder without you forcing it upon them.

Here’s an example I can share. We have a dance student at the studio who is usually the talkative, comedian in class. She is inconsistent in her focus to say the least. But, there are times when she is working hard where you stop and say to yourself, “Wow she actually has a lot of potential; when she applies herself.” One day she took the initiative to ask for some help with her new pointe shoes. At the advice of her teacher, she was given an assignment and some exercises to do. She was doubtful she would be able to accomplish what her teacher gave her but came in two days later and had done exactly that. The teacher gave her a thumbs up and told her she knew she could do it if she just took the initiative.

The next day she came in for pointe class with her hair in a beautifully made bun, a new leotard and tights and looked the picture of a professional ballet dancer. She worked so hard that day and in the days to follow. Now, she did have off –days but she certainly turned a corner and it was not only because of the praise. Giving her that responsibility to accomplish something made her feel like she took control of the situation and did something right on her own. This was a great catalyst to building her confidence.

As teachers, we too are going to have our days too where we focus on what is wrong, what can be better, why dancers aren’t doing what you know they can do. That's also part of progress. But, it's all should be balanced. The best thing we can do is stop and reflect and think about what they need from us in order to succeed. Something as simple as maintaining positivity, taking a moment out and giving recognition, when it is deserved and giving attention to our students will go a long way for everyone in the long run. The trick is to be mindful of it when the opportunity presents itself!

Good Luck!

See you in the dance studio,

Jess

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Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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