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Its all about the M.I.W., Baby!

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Teacher article

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Creating your own catch phrases can motivate with a minimum number of words.

 

Over our years of teaching we have heard students say over and over 'I can’t do that!' or 'That’s too hard, I will never be able to do that.' Sound at all familiar? I am sure it does. Many years ago we decided to make 'I can’t' an expression that is not to be spoken in our building.

In moments of frustration it does get blurted out, but when a student slips and says 'I can’t' a hush falls over the class as everyone knows that it is not allowed. We tell our students that if you say it and you think it, that is what will happen and that is why they will struggle with anything they are facing that is causing them difficulty.

 

 As the matter of fact we have replaced 'I can’t' with the phrase 'It’s all about the M.I.W.'

 

When a student is having an issue with a technical step or is struggling to make something work for them, we say 'M.I.W., baby, M.I.W.!'

 

Make It Work!

 

If we can teach our students this one lesson and life-enriching skill, imagine how much better a place the world would be!

 

As a matter of fact, we should all take this approach to everything that we do. If we want our students to buy into this philosophy, then we must live it, too!

 

I like to give my students positive reinforcement whenever possible. But I like to do it with a phrase or saying that they can buy into and say to themselves until they believe it to be true. 'It’s all about the M.I.W.' is one that we use and everyone in the studio knows what it means. It is amazing how one line or phrase can bring the best out of people.

 

Here are some other phrases from some great thinkers that we have found to be useful.

 

'You have two choices: You can say 'I can' or 'I can’t,' and either way you are right!

 

'You have all the knowledge, technique and style right now to be as good as you want to be.'

 

'I can, I must, I will!'

 

'It’s not your aptitude that determines your altitude—it’s your attitude.'

 

One of the main goals at our school is to instill a can-do attitude that will serve our students for a lifetime. Steps, technique, choreography and everything else will only reach its highest potential in students who really have a 'make it work' mindset. I like to say that if you can only do a pirouette when you are on perfect balance than you might as well forget about ever mastering the art of turning. Sometimes you just have to make it work even if things are not perfect. Isn’t that one of the secrets of life?

 

Think about all the great inventions that were made by people who had a 'never say die' attitude. I like to remind my students that Thomas Edison tried 1000 times before he got it right with the light bulb. So I try to get my students not to give up on a certain step just because after working on it for a while they still haven’t gotten it. I will say, 'Have you tried it 1000 times yet? No? OK, then don’t tell me you can’t do it.' And, to continue the Edison analogy, I will always remind them to go back to the beginning—the 'drawing board,' so to speak. The most advanced steps and technique have basic movements and actions that need to be refined if a student is having trouble with the more advanced steps.

 

Let me leave you with an example of how M.I.W. works well beyond the classroom into the real world. A friend of ours called us to say he used our M.I.W. phrase in an interview. When asked what he would do if a certain issue arose during a critical part of a task, our friend said to the interviewer, 'Hey, it’s all about the M.I.W.'  When he was asked, What’s that?, our friend answered, 'It’s all about making it work!' The prospective employer laughed and said he loved the response. Our friend was offered the job the next day.

 

Feel free to make it a phrase at your studio and watch your students GROW!

 

Author

Steve Sirico

Steve Sirico

Originally from Norwalk, Ct, Steve excelled in track and football. He attended the University of Tennessee at Martin on a sports scholarship. Deciding to switch and make his career in the world of dance, he studied initially with Mikki Williams and then in New York with Charles Kelley and Frank Hatchett. He appeared in a number of theatre productions such as Damn Yankees, Guys and Dolls and Mame in New York and around the country and in industrials and television shows. He was contracted to appear as the lead dancer in the Valerie Peters Special a television show filmed in Tampa, Florida. After meeting Angela DValda during the filming they formed the Adagio act of DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Steve and Angela have owned and directed their dance studio in Fairfield, CT for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Author of his Jazz Dance syllabus and co-author of a Partner syllabus both of which are used for teacher training by Dance Educators of America, Steve continues to adjudicate and teach for major dance organizations. Recently taught at the Interdanz conference in San Jose, Costa Rica, He choreographs for theatres, television and conventions and DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Steve is co-owner and director with his wife, Angela, of the website Dance Teacher Web designed as an online resource for teachers worldwide.

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