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Sample Barre Work For 7-8 Year Olds

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Teacher article

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Promenade, Entrance and Curtsey\Bow

3\4 (1 count per bar)

Students enter with a promenade around the room, finishing in lines to curtsey\bow to the teacher

OR Teachers choice of entrance

BARRE

( NOTE: Barre work may be done facing the barre)

1. DEMI PLIES

Prepare: 1st position

Introduction: Arm holding skirt or 1st to 2nd

1-4 2 demi plie in 1st position

5-6 Rise and lower

7-8 Degage to 2nd position

1-4 2 demi plie in 2nd position

5-6 Rise and lower

7-8 Close back to 1st position

Repeat all

2 BATTEMENT TENDU AND RETIRE

Prepare: 1st position

Introduction: Arm 1st to 2nd

1-2 Battement tendu en avant

3-4 Battement tendu de cote

5-6 Battement tendu en arriere

1-8 Battement tendu de cote

1 Place working foot to petit retire de cote

2 Slide working foot to retire de cote

3 Replace to petit retire de cote

4 Lower to 1st position

5-6 Lower working arm to bras bas

7 Lift arm to 1st position

7 Open arm to 2nd position

Repeat the exercise

3.BATTEMENT GLISSE AND DEMI PLIE

Prepare: 1st position

Introduction: Arm 1st to 2nd

"and" 1 Battement glisse de cote

2 Hold the position

"and" 3 Battement glisse de cote

4 Hold the position

"and" 5 Battement glisse de cote

6 Hold the position

7 Demi plie, placing fingertips of working hand to shoulder

8 Stretch knees and open arm to 2nd position

Repeat the exercise

4. FIVE POSITIONS OF THE FEET

Prepare: 1st position

Introduction: Arm 1st to 2nd

1. Degage de cote

2. Lower in 2nd position

3. Degage in 2nd position

4. Close 3rd position devant

5. Degage en avant

6 Lower in 4th position

7. Degage in 4th position

8. Close 5th position devant

1. Lower arm to bras bas

2. Lift arm to 1st position

3. Lift arm to 5th position

4. Open arm to 2nd position

5. Degage de cote

6. Fondu

7. Stretch supporting leg

8. Close 1st position

Repeat the exercise

5. RISES AND CAMBRE EN ARRIERE

Prepare: 1st position facing the barre

Introduction: Lift hands to barre

1. Slow rise to demi pionte

2. Slowly lower heels to 1st position, knees tight

3.-4 Repeat

5. Quarter turn head right

6. Slight upper back bend

7. Recover body upright

8. Return head en face

Repeat with head to the left

6. DIVIDED GRAND BATTEMENT EN CROIX

Prepare: 1st OR 5th position

Introduction: Arm 1st to 2

Note: Exercise may be done in 1st or 5th position

1. Degage en avant

2. Grand battement en avant

3. Degage a terre en avant

4. Close 5th position devant

5-8 Grand battement a la second

9-12 Grand battement en arriere

13-16 Grand battement a la seconde

( counts 1-16 = Grand Battement en Croix)

Author

Alisa Finney

Alisa Finney

Alisa Finney re launched the Melbourne Ballet Company in 2007 and she carries responsibilities in artistic direction, programming and professional development for the company. Her successful career as a Principal ballet teacher at Gay Wightman School of Ballet for over 20 years is ably supported with an Advanced Diploma in Dance Teaching from the Australian Ballet School (Distinction), Borovansky Memorial Australian Academy of Dancing Diploma, Australian Institute of Classical Dance Licenciate Diploma, Bachelor of Applied Science (RMIT) and Bachelor of Business Administration (RMIT), plus multiple certificates in pedagogical studies that enhance her career in dance education. As Principal of the Gay Wightman School of Ballet she puts on 3 student productions annually with over 400 performers, teaches the Vaganova based BMAAD syllabus from Pre-Primary to Solo Seal and is a teacher of VCE and VET Dance as well as private coaching. Alisa has developed a 13 level elite student dance program- the Melbourne Ballet Company Coaching School, and she delivers and co- ordinates teachers development days in this system of training. Students are submitted in exams for this through the Australasian Dance Assessment. A vision to create a ballet company has been hers for many years. As a manager of a performing arts organisation she has taken the primary role to initiate and develop the Melbourne Ballet Company, securing its clear direction and future through bringing in key alliances and ensuring a stable management structure for the company. To maintain the momentum of a professional company that is high in integrity with committed and loyal personnel in the competitive environment that is Melbournes arts scene has earned her great respect within the industry and abroad. Now in its fourth year of operation, and with nine successful performance seasons, Alisa has provided a surety for Melbourne Ballet Company’s future.

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