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Ballet Lesson Plan: Beginner Pointe Work After Six Months

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Teacher article

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BARRE WORK FOR STUDENTS SECOND 6 MONTHS ON POINTE

Teacher Notes:

-Slowly introduce each of the exercises one at a time after the students are warm and have done a full barre in flat shoes first.

- As the students gain strength the exercises can be taken with one hand on the barre and then later on in the center

- Place emphasis on a slow and careful execution of each exercise.

- Ensure a strong posture and alignment in all pointe exercises

- Speed of all the exercises can be increased as the students gain strength

- Make sure the students understand how to rise and lower through the positions of the feet ¼, ½, ¾ then to full pointe

- Use the pauses and holds so the students can continue to establish the position fully on pointe in their second 6 months on pointe.

1. Slow Rises to Pointe

Prepare: Facing the barre in parallel position

Introduction; Arms lift to 1st position, then softly hold barre

1. Rise to ¼ pointe

2. Rise to ½ pointe

3. Rise to ¾ pointe

4. Rise to full pointe

5-8 Lower in reverse ¾, ½,1/4 then flat

1- 8 Repeat and degage to 2nd position

1. Rise to ¼ pointe in 2nd

2. Rise to ½ pointe in 2nd

3. Rise to ¾ pointe in 2nd

4. Rise to full pointe in 2nd

5-8 Lower in reverse ¾, ½,1/4 then flat

Repeat all in 5th position devant then 5th position derriere

2. Demi Plie and Rise to Pointe with Releves

Prepare: Facing the barre in parallel position

Introduction; Arms lift to 1st position, then softly hold barre

1. Slow demi plié

2. Stretch knees

3. Rise slowly to full pointe

4. Lower

5. Slow demi plié

6. Stretch knees

7. Rise to full pointe

8. Lower

1. Demi plié

2. Releve to pointe

3. Demi plié

4. Releve to pointe

5. Hold position

6. Slowly lower ¾, ½,1/4, flat

7. Degage to 2nd position

8. Lower to 2nd

Repeat all in 2nd position, 5th devant and 5th derriere

3. Battement Tendu and Releves

Prepare: Facing the barre in 5th position position or sideways to barre

Introduction; Arms lift to 1st position, then softly hold barre

1. Degage devant

2. Demi plié in 4th position

3. Releve in 4th position on pointe

4. Lower to demi plié in 4th position

5. Degage devant

6. Close 5th plie

7 Releve 5th

8. Lower through pointe shoes to 5th plié

Repeat exercise en croix and then other side

4. Demi Detournes

Prepare: 5th position left hand on barre

1 Demi plié and releve to 5th position on pointe, arm to 5th

2 Demi detourne to other side, other arm to 5th

3 Hold position in 5th

4 Spring down through pointe shoes to demi plié 5th opening arm

Repeat 3 more times, making sure the head does a sharp spotting movement ahead of the body in the demi detourne.

5. Retires

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre

& Slow demi plié

1. Releve to retire devant

2. Place front leg back to 5th position on pointe

3. Lightly spring off pointe to 5th position plié

& Slow demi plié

4. Releve to retire derriere

5. Place back leg back to 5th position on pointe

6. Lightly spring off pointe to 5th position plié

& Slow demi plié

1. Releve to retire devant

2. Place front leg back to 5th position on pointe

3. Lightly spring off pointe to 5th position plié

& Slow demi plié

4. Releve to retire derriere

5. Passe retire devant

6. Lightly spring off pointe to 5th position plié

Repeat all starting left foot front

6. Pas de bourees

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre, and releve to 5th position

& 1- 3 Pas de bouree under

&4-6 Pas de bouree under

& 7-9 Pas de bouree under

& 10 -12 Pas de bouree over, under

Repeat all with left foot front

Repeat all in reverse

7. Pas de Bouree Pique

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre, and releve to 5th position

& 1- 3 Pas de bouree pique with a high retire position and a big step decote.

&4-6 Pas de bouree pique

& 7-9 Pas de bouree pique

& 10 -12 Couru on the spot

Repeat all with left foot front

Repeat all in reverse

7. Travelling Courus at the barre

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre

& Pick up back foot into a low cou de pied

1- 3 Couru travelling right

4 Plie 5th and tendu under to swap legs

& Pick up back foot into a low cou de pied

5-7 Couru travelling to the left

8 Plie 5th and tendu under to swap legs

& Pick up back foot into a low cou de pied

9-12 Couru on the spot

13 Spring down to 5th position

14 1 changement

15 Sou sou to 5th

16 Hold

Repeat all

8. Echappe Releve to 2nd and 4th

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre

1- 6 3 Echappe releve to 2nd

7-8 1 Echappe releve to 4th

Repeat twice more

Releve to 5th

Repeat all

9. Pas Emboite

Prepare: Facing the barre in 5th position

Introduction; Arms lift to 1st position, then softly hold barre and releve to 5th on pointe

&1-3 Pas emboite close back, front, back with right leg

4 Hold 5th

&5-7 Pas emboite close front back front with right leg

8 Hold 5th

& 9- 11 Pas emboite close back, front, back with right leg

12 Hold 5th

13- 14 Spring off pointe to 5th demi plié

15- 16 Releve to 5th on pointe with left foot front

Repeat all pas emboite with the left leg.

Author

Alisa Finney

Alisa Finney

Alisa Finney re launched the Melbourne Ballet Company in 2007 and she carries responsibilities in artistic direction, programming and professional development for the company. Her successful career as a Principal ballet teacher at Gay Wightman School of Ballet for over 20 years is ably supported with an Advanced Diploma in Dance Teaching from the Australian Ballet School (Distinction), Borovansky Memorial Australian Academy of Dancing Diploma, Australian Institute of Classical Dance Licenciate Diploma, Bachelor of Applied Science (RMIT) and Bachelor of Business Administration (RMIT), plus multiple certificates in pedagogical studies that enhance her career in dance education. As Principal of the Gay Wightman School of Ballet she puts on 3 student productions annually with over 400 performers, teaches the Vaganova based BMAAD syllabus from Pre-Primary to Solo Seal and is a teacher of VCE and VET Dance as well as private coaching. Alisa has developed a 13 level elite student dance program- the Melbourne Ballet Company Coaching School, and she delivers and co- ordinates teachers development days in this system of training. Students are submitted in exams for this through the Australasian Dance Assessment. A vision to create a ballet company has been hers for many years. As a manager of a performing arts organisation she has taken the primary role to initiate and develop the Melbourne Ballet Company, securing its clear direction and future through bringing in key alliances and ensuring a stable management structure for the company. To maintain the momentum of a professional company that is high in integrity with committed and loyal personnel in the competitive environment that is Melbournes arts scene has earned her great respect within the industry and abroad. Now in its fourth year of operation, and with nine successful performance seasons, Alisa has provided a surety for Melbourne Ballet Company’s future.

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