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Giving Your Students the Tools to Overcome Stage Fright

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Teacher article

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None

Performance anxiety can happen at any age and can happen at any time. You have seen the student who has trouble getting out on stage or who runs off the stage during a performance. Usually with the pre-school student's performance anxiety it manifests itself as a crying or shrieking event and as the students get older they may simply choose not to perform or be totally unable to remember their number when they are out in front of an audience or perhaps manage to get through their number just to run offstage to throw up. None of these situations are beneficial to the student and by helping them to overcome their anxiety and fear it will enable them to enjoy their love of dance without it becoming a traumatic situation every time they step out in front of an audience. By overcoming their fear they will have a confidence that they have not felt previously and it will be a life skill that will benefit them no matter what walk of life they choose to follow.

Any performer needs a certain amount of anxiety or feelings of nerves, often described as "Butterflies" in order to have the adrenalin to get out on stage and make it work but it is when the nerves take over in a negative way that the person starts to panic and fall apart. Practicing ways to be energized without anxiety need to first start in the classroom. As teachers we can help our students to find ways that work for them to calm themselves sufficiently to be able to have a positive experience when they step out onto the stage. I always like to try to identify with a student who is suffering from this type of anxiety, exactly what they are most afraid of. In many cases it is a fear of falling onstage or sometimes it is a fear of forgetting the choreography and making a fool of themselves. Once I have identified the problem then it is much easier to move forward and help the student to regain their confidence and control of their feelings. Very often it is that feeling of being out of control or failing that terrifies some students. It is important to work in class to give the students an understanding of how they can fix their panic and go back to enjoying their dancing and any performances.

I myself found it very helpful when I was performing to have a certain ritual which I followed every day that I had a performance. I would always make sure that I was at the theatre or TV station well in advance of my call time. I would do a thorough warm up and then go to my dressing room to do hair and make-up. I didn't want to have idle conversation with anyone I just wanted to calmly prepare myself without rushing so that I was able to focus on everything positive for my performance. That worked for me but, of course, everyone is different and it doesn't matter what you like to do as long as you have a plan to keep yourself calm.

Addressing the issue of failing with your students is an important one. There is so much pressure nowadays for kids not to fail, as if it is a disgrace. What a shame that they are made to feel this way because it is really only by failing that you can find the path to success. I always tell my students that it is not the failing that is important it is how quickly and gracefully you can recover and carry on. Once they understand that premise they will gradually be able to control their fear of performing. I also teach all my students how to fall in a relaxed manner so that they understand that they can slip and fall, make it look reasonably graceful and get up quickly so that they can continue their dance without completely freaking out! When someone falls in class I let them know that they obviously were trying very hard at whatever they were doing and that it is ok to fall without it becoming a major embarrassing moment. You do, in fact need to fall to lose the fear of it. No one wants that to happen on stage but if it does having the confidence to go with it, get up and get on with it is a major boost to any dancer.

For some dancers it helps to keep something personal that makes them feel good in the dressing room. Perhaps it is a stuffed animal that they are particularly fond of or a picture of their pet or family. Whatever it is, if it helps to stabilize the nerves it should be encouraged. Keeping everything positive is the most important lesson that you can teach your students. Our motto is simply "Make it work" and if they are able to do that they will be successful no matter what line of work they eventually decide to do.

In class and rehearsal encourage your students to take a chance, after all that is a big part of what dance is about. Having the freedom to go where others have not dared to go. To do whatever it takes to express yourself and give joy to others and to accept that failure is part of success. If we can send our students out into the world without a fear of performing or getting up in front of others then we can truly say we have done our job. This is one of the wonderful gifts that dance teachers can give to their students and one that will be remembered by them for their entire lifetime!

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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