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Dance Teacher Tips for Ages 7-10: A Crucial Responsibility

Type:

Teacher article

Category:

Dance Teachers

For Dance Teachers this would fall under the “common sense category” for those of us who have been teaching ballet successfully for years. By successful, I mean; creating healthy, capable, well-aligned and proficient dancers who are able to pursue dance to the highest level of their physical abilities. I feel strongly that much of this success is established during the foundation years and to include the growth that occurs between the ages of 7-10.

Of course, there are always one-off situations. However, in my opinion, when I work with dancers over the age of 10, I can distinguish quite easily those who’ve been properly trained with a strong foundation, and those who have not.

There is a wide range of technical achievements that occur between ages 7-10; I feel each year between those ages is significantly different in learning process and what needs to get accomplished. Below, I have provided a few tips that I have found helpful when mentoring new teachers who work with this age group. These tips have been generalized rather than specific so they can apply easily to what is appropriate technically to be teaching during this wide age bracket.

-Teach, don’t entertain. Giving too much “choreography” in class rather than technical exercises at this age serves more as an entertainment process rather than a teaching process. If you want solid technicians, teach them, don’t entertain them.

-Slow, diligent work is more effective than fast, sloppy movements. Take the barre work SLOWLY. Work through the feet, teach articulation. Even though they may not fully understand anatomy, you will be surprised how much they can truly feel the muscles working when movements are executed, slowly. Find ways to make them feel their muscles.

-Face the barre. Don’t be eager to turn every barre exercise into one hand on the barre. Rather, spend more time with the exercises facing the barre and focus on alignment, weight distribution and timing.

-Sometimes Center is best. If you are having trouble getting your dancers to accomplish an exercise at the barre, sometimes, bringing them center and having them place hands on their hips while they try to gain muscle control of their bodies during the exercise works best.

-Encourage musicality, early! I could always tell which of my students played instruments as they already understood how to count and could hear music. Not all of your dancers will also be musicians so you must also spend time making sure they understand musicality and accents.

-Advancing a dancer too quickly means having to fix a dancer later. It’s much easier to take the process slowly when they are young and not advance a student too fast rather than have to take a more “advanced” older dancer backwards and re-teach the basics. Bad habits are hard to break.

-Use imagery as inspiration. Dance is work, but dance is also joy! After all, they are children. Children have big imaginations and get excited about things they can mentally relate to. Remember that when giving your classes and corrections. Instill the love! Be alive and present in the moment with them.

-You are responsible for your knowledge. As teachers we must always be learners. If you are finding you are not successful getting the results you are hoping for, observe a more seasoned teacher who is successful at teaching a specific exercise or level. Ask for help. Dancing and teaching are two different skills. Both require knowledge, but teaching requires also having the ability to SEE what the body needs, and fix it. Don’t teach what you don’t know.

-Use multiple methods to make corrections. Verbal and tactile cues as well as creative imagery are all part of the process.

-See the body and ALL of its parts. Dance is not just about creating big movements. It’s all of the intricacies; the details. Teach not only the movement of the body, but the details of the fingertips, head and feet. Everything has to be aligned. Ballet creates lines. If you’re just teaching movements/steps, you’re not teaching ballet.

Most importantly, you have to LOVE this job to be effective. Being a Dance Teacher is rewarding because you see transformations before your eyes on a daily basis. If you aren’t seeing improvements, seek help.

Author

Laura Ward-Moran

Laura Ward-Moran

LAURA WARD-MORAN is the owner of Harford Premier Pilates, LLC and the director of the John Carroll School College Preparatory Dance Program and the John Carroll Ballet Academy. A dancer, choreographer, Pilates Instructor, and educator, she earned her BA in Dance Education from Goucher College in 1999. With 20+ years teaching experience, she has taught for many schools throughout Maryland and Pennsylvania as faculty and guest artist. Her involvement with dance education goes beyond the classroom, as she has been invited as a consultant to write dance curriculum as well as has implement dance programs in public and private high schools; most recently she implemented the College Preparatory Dance Program at the John Carroll School. Mrs. Ward-Moran received her certification as an Authentic Pilates Instructor in New York, NY, in 2001, and is a level V+ certified authentic Pilates instructor through Romana’s Pilates, New York, NY. For six years she had the pleasure of teaching Pilates in the Dance Department at Goucher College, and she became the Assistant Director of the Pilates Center, prior to opening her own Pilates studio in Harford County in 2005. In addition, she also spent a valuable summer in Dallas, Texas at Southern Methodist University where she obtained her Fundamentals Certificate in the Language of Dance (Motif), as developed by Ann Hutchinson Guest, and she enjoyed studying closely with LOD instructor, Tina Curran. In 2018, Mrs. Ward-Moran received her certification in Progressing Ballet Technique, a fitness program to help dancers achieve their technical goals. Her work in Harford County has been extensive. In July 2001, she opened The Maryland School of Ballet and Modern Dance, Inc. where for 15 years she successfully built and grew a dance program for children and adults producing 29 original ballets and modern dance concerts through her school and company, The Maryland Dance Project. In 2016 she successfully executed the sale of her school. Now, as a guest instructor, she continues to teach dance and Pilates, as well as choreograph throughout the region. Mrs. Ward-Moran has contributed to her community as a panelist, guest speaker, volunteer and columnist with regard to dance, education, and business. Most recently, she was appointed to serve as a board member for the Harford County Cultural Arts Advisory Board. Prior, she was interviewed by Lisa Okuhn, for an article in Dance Studio Life Magazine about the importance of Mission Statements. She is a member of the NDEO, the Maryland Dance Council, and the sponsor for the JCS NHSDA Chapter. Contact info: Mrs. Laura Ward-Moran College Preparatory Dance Program, Director Ballet Academy, Director lwardmoran@johncarroll.org

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