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Five Fundamental Building Blocks Every Dance Student Should Be Taught

Type:

Teacher article

Category:

Dance Teachers

With every year I teach, the more and more I realize how important it is for the fundamental building blocks of technique to be taught. It’s not the tricks or the flashy turns or the “advanced” lessons that are most important, but the basic things that sometimes go amiss. These are the stepping stones that all else is built upon. While they may seem obvious, they are often the most difficult for young dancers to grasp.

Below is certainly not an exhaustive list, but some of the most recurring I see in my own classes. When I am confronted with these things, I make it a point to stop, go back and make sure dancers don’t just breeze by. I do this because so that they are able to layer and pepper their developing technique with good habits and more importantly, concrete understanding and application of the abc’s and 1,2,3’s of dance.

1.       Pirouette preparation: This is a HUGE one. I cannot tell you how many times I see students who are clueless as to how to prepare properly for a pirouette (especially going across the floor.) Whether it be in ballet class or jazz class, the preparation and knowing weight placement, which foot and arm goes where, etc. is crucial. Devoting time to teach this in different scenarios is key and will foster it becoming habit. From there, the type and number of turns then becomes infinite. Please spend time with your students on this.

2.       Knowing left from right: Seems obvious right? Not so much all the time. Please take time with your young ones to teach this. Too many times I see young dancers just fake their way through knowing this and it’s just not something they are going to be able to get around. Basic exercises can start stationary and move to center and across the floor so that they are building a lasting knowledge and not just following the dancer in front of them.

3.       Count yourself in: I am totally guilty of this and count my dancers in too often, especially going across the floor. If I count the first couple of dancers in and tell them they are to enter every two counts of eight, they should know how to do this independently. This enabling doesn’t help them with entrances and exits and their own sense of musicality as well as knowing their own counts for choreography.

4.       Rolling to the floor and getting up: Level changes can definitely be tricky. How we roll to the floor, which foot goes where, which direction we’re rolling, etc. definitely takes some work because there is not one way to do it. But, understanding the mechanics as well as how to get to the floor and how to get up is so important in basic across the floor exercises. When a dancer feels confident they can then apply this to floor-work in more complicated choreography.

5.       Knowing Stage Directions, Facings, etc.: Dancers should be taught from an early age to know their stage directions and facings and the appropriate names for them. This should also go for turning bodies away from mirror when you rehearse. This can sometimes be very confusing for dance students so the more you use the correct terminology the more they will pick it up and be able to use it freely and confidently.

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Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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