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PreSchool Ballet Prop Ideas and Class Content

Type:

Teacher article

Category:

Dance Teachers

Dance Teacher Preschool Class Ideas!

This post features Preschool Ballet Content including ideas on props that will not only stimulate the young dancer’s imagination, but also help them develop motor skills and spatial awareness. It is so important when children are learning to dance between the ages of 3 and 5 that they are learning in a creative, fun and challenging way suitable for their ages.

I like to start by using skirts that are in a circular shape and that reach to the knee to help them make the shapes for port de bras and also to stabilize the upper body. Hair needs to be off the face and, if you can make it fun for the children and their parents to get the hair up into a bun, I would try to establish that rule early on. Most parents don’t know how to make a bun or how to make it stay put. We always have little bun making kits at our front desk that consist of a thin hairnet, a few bobby pins and hairpins and a ponytail elastic. We sell them for $1.50 and they are a big hit because the parents don’t have to go and search for them.

Here is a list of props for girls and boys that you might like to keep on hand.

PROPS FOR GIRLS

1.      Small square scarves, preferably made of a silky type material so that they float

2.      Individual flowers

3.      Hoops; if you can decorate them with flowers or sparkling ribbon it makes them even more attractive

4.      Fairy dust—if the powder kind is too messy, try the gel type that you can use by putting a dab on the hand or face

5.      Hearts cut out of fabric

6.      Stuffed animals

 

PROPS FOR BOYS

1.      Flags on a stick

2.      Small cape

3.      Small wooden box with a little wooden hammer

4.      Basketball

 

PROPS FOR BOTH

1.      Tambourines

2.      Small mats

3.      Children’s umbrellas

4.      Small brooms

 

There are a number of ways that these props can be used, and it really doesn’t matter how you use them in your classes. I suggest having stories that the dancers need to act out using the props. Cinderella is a great ballet story with parts for boys and girls. You could also use The Little Mermaid, Aladdin or Sleeping Beauty—they are also great. Using mime and dance steps together is not only fun, but also great for preparing the dancers for the future and helping them develop performance skills, even at this young age.

CLASS CONTENT AND TECHNIQUE FOR PRESCHOOL DANCERS

It is always a good idea to get the dancers moving at the beginning of class. Running in a circle or on diagonals using scarves for the girls and flags for the boys will get their heart rates up. Once you have done this, sit them in a circle or semi-circle to work on stretches and basic technique:

1.      Sit on floor with legs straight ahead. Point and flex the feet 4 times. Run both fingers down the legs to reach for the toes. Sit up straight and repeat 4 times.

2.      Sit cross-legged and place hands in the prayer position. Lift to 5th position, opening hands; continue by opening to 2nd position, moving fingers as you bring the arms down. Bring back to prayer position.

3.      Sit in 2nd position. Flex the feet and bend the knees up to look like a frog, then stretch the legs back out to 2nd.

4.      Bend the knees and place feet together. Take the head to the toes and open the arms to 2nd like wings; sit up straight and reach arms overhead, bring arms back down to relax at sides.

5.      Demi Plies: Standing in 1st position, do 3 demi plies, point foot to the side, lower heel, 3 demi plies in 2nd position, point foot and return to 1st.

6.      Tendus: Standing in 1st position, point R. foot to front, 2 piques and close back to 1st. Repeat to other side. Next, do 4 single tendus closing in 1st each time.

7.      Using scarves and capes, from the corner, do 4 skips, spin on toes using prop for 4 counts, sway R and L 2 times, run to corner and pause on toes.

8.      Using hoops, placing them in a large circle, run outside of the hoops in a circle for 8 counts. Jump into a hoop and spin 8 counts. Repeat.

9.      Rhythm steps with tambourines or maracas: In a circle facing in, 4 beats with prop, 4 jumps or sautés in place, 4 marches into the circle, 4 beats with prop, 4 counts spinning around to face outside of circle, 4 beats with prop, 4 marches to outside of circle, 4 jumps to face back into circle.

The last combination needs to be done slowly and with music that has a very definite beat. It will probably take a few times before the dancers understand the changes.

This class content will help to develop the young dancers and also keep their attention.

 

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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